b. 1956, Boksburg, South Africa.
d. 2017, Cape Town, South Africa.
Born in 1956 in Boksburg, South Africa, Barend de Wet completed his education at the Michaelis School of Fine Art at the University of Cape Town in 1990. Since his return (to his artistic practice) De Wet has presented three successful solo exhibitions at SMAC Gallery – GREEN (2010) in Stellenbosch; Maximalism (2012) in Cape Town and Black, White & Everything In-Between (2016) also in Cape Town. Notable group exhibitions include Dada South? Exploring Dada legacies in South African Art 1960 to present, at the Iziko South African National Gallery in 2009; Twenty: South African Sculpture of the Last Two Decades at the Nirox Sculpture Park, Johannesburg, in 2010; The Rainbow Nation: Hedendaagse Beeldhouwkunst uit Zuid-Afrika at the Museum Beelden aan Zee, Den Haag, Netherlands, in 2012; and After The Rainbow Nation: An Exhibition of Contemporary South African Sculpture, at the NIROX Sculpture Park, Johannesburg, in 2013.
Recent projects include a video montage titled Projected Identities, which featured in MINE, a traveling exhibition of South African video and performance art which was shown in Dubai, UAE as well as in Bordeaux, France as part of the 2012/2013 South Africa/French season. De Wet was also the invited artist for the inaugural Cape Town Art Fair in 2013, and was included in Experimental Evening – Notes in Thread; as well as Thinking, Feeling, Head, Heart, curated by Marilyn Martin, both at the New Church Museum in Cape Town in 2014. During 2015, Barend de Wet showed his film Projected Identities at SMAC gallery in Cape Town, following its screening at the TATE Modern in London as part of The Film Will Always Be You – South African Artists on Screen.
Coinciding with Barend de Wet’s most recent solo exhibition titled Black, White & Everything In-Between (2016) was a publication by the same name, containing an essay by Alexandra C.M Ross that offers further insight into the practice of de Wet’s cryptically playful practice.
De Wet’s work was recently included in the exhibition entitled Women’s Work, curated by Ernestine White and Olga Speakes, at the Iziko South African National Gallery in Cape Town. De Wet passed away in 2017.
Chris du Plessis | Rapport My Tyd Magazine | Manne Wat Brei? | 8 July 2012 – PDF
Murray La Vita | Die Burger By Supplement | Kuns = Lewe = Kuns | 9 October 2010 – PDF
Mail & Guardian | My Cultural Life: Barend de Wet | 8 October 2010 – PDF
The Lake Magazine | Art = Life = Art | June 2016 – PDF