b. 1982, Florence, Italy.
Lives and works in Tenerife, Canary Islands, Spain.
Giovanni Ozzola was born in Florence, Italy in 1982. He currently lives and works in Tenerife, Canary Islands, Spain.
Starting his career in 2001 as part of the group show; Happiness: A Survival Guide for Art and Life, curated by David Elliott and Pier Luigi Tazzi, at the Mori Art Museum of Tokyo in Japan; Giovanni Ozzola has since exhibited world-wide.
Most recently, Ozzola presented a solo exhibition, titled Pitch Black, which opened at the Museo Unicaja Joaquin Peinado in Ronda, Spain, on 12 July 2018. Ozzola also recently presented Mi Verdad with Su Tiempo Y Expacio- Algo Tuyo Y My, a solo exhibition at the The Unicaja Center of Culture (CUC), which ran until 9 July. Ozzola is also currently exhibiting at Galleria Continua in Italy, as part of the group show, 20X15.
In 2018, Ozzola exhibited in numerous international group shows, including: Photography on Postcards at the Photo London Fair, Somerset House, London, UK, from 17 – 20 May; Il richiamo di Cthulhu – curated by Lorenzo Benedetti and Aloisa Leopardi – at Palazzo Mazzarino in Palermo, Italy, from 14 June; and Recto Verso at the Fondation Louis Vuitton in Paris, France, from 15 – 24 June.
Ozzola also exhibited in international group shows: L’universo nel recinto, appunti intorno al collezionismo in Italia – curated by Mariella Casile – in Palermo, from mid-June – 4 November; Monte Bianco – curated by Walter Guadagnini – in Skyway, Courmayer, Italy from 14 July – 15 September; and Wundermore at the MAXXI Natural Museum in Rome, Italy, which ran until 8 July 2018.
Ozzola will be featured in a group exhibition, titled PHOTOFAIRS Shanghai: Insights in Shanghai, China. Ozzola will also be presenting solo exhibitions at Sala Unicaja de Exposiciones Siglo, Málaga from 7 November 2018 – 10 January 2019, and Rutas de Sangreat Project of Heritage Rescue and Cultural Development in Old Havana, in Cuba, towards the end on November 2018.
In 2017, Ozzola presented a solo exhibition, titled Wrecks and Rooms with Stars (Italian: Relitti e camere con stelle) at the untitled Association in Berlin, Germany. His 2016 solo exhibitions include; Cercando Nella Notte Persa at Spazio9aposa in Bologna, Italy; Sistemi di Visione/Sistemi de Realtá at the Centro Espositivo per le Arti Contemporanee, San Michele Degli Scalzi (SMS) in Pisa, Italy; adrift at the District Six Museum Homecoming Centre in Cape Town and SMAC Gallery in Stellenbsoch, South Africa; as well as Scars at SMAC Gallery in Cape Town, South Africa. Previous solo exhibitions include Naufragio, curated by Ludovico Pratesi at the Centro Arti Visive Pescheria in Pesaro, Italy in 2011; Routes and Stars at Galleria Continua in San Gimignano, Italy and Castaway Depot: 41° 7’ 31’’ N 16° 52’ 0’’ E – In a Sentimental Mood at Doppelganger in Bari, Italy in 2012 and La Théorie des Comètesat at Galleria Continua in Beijing, China in 2013.
Notable group exhibitions include; On Another Scale, curated by Ricardo Sardenberg at Galleria Continua in San Gimignano, Italy in 2014 and the international touring exhibition LANDSEASKY: Revisiting Spatiality in Video, curated by Kim Manchan and presented at Artsonje Centerin Seoul, South Korea; OCT Contemporary Art Terminal in Shanghai, China; Guangdong Museum of Art in Guangzhou, China; Griffith University Art Gallery and MAAP SPACE in Brisbane, Australia during 2014 – 2015.
In 2015, Ozzola made his South African debut with Dove Nasce Il Vento in Johannesburg. This exhibition was first shown at Gazelli Art House in London, UK. That year, he also exhibited in More Spaces at the Palazzo Pigorini in Palma, Italy; Tu Dois Changer Ta Vie, curated by Fabrice Bousteau at LILLE 3000 in Lille, France, and formed part of Follia Continua!, under direction of José- Manuel Gonçalvès, at Le Cenquatre– Paris, in Paris, France. In 2016, he partcipated in (RE) BIRTH, curated by Fabrice Bousteau for Abu Dhabi Art 2016, UAE; Teoria della nuvola/ Theory of Cloud, curated by Davide Ferri at Galleria Marcolini in Forli, Italy both in 2016; Earth and Ever After, an exhibition for the 21,39 Jeddah Art event in Jeddah, Saudi Arabia and ‘YOU + ME = US’ at Galleria Continua in Havana, Cuba. Among Ozzola’s awards are the Premio Cairo (2011), Premio Terna (2008) and Seat Pagine Gialle (2007).
Ozzola is currently preparing for a solo exhibition at SMAC Gallery in Johannesburg, South Africa in October 2019.
Ozzola is currently featured in a group exhibition titled Kronos and Kairos on the Palatine Hill in Rome, Italy, promoted by the Archaeological Park of the Colosseum.
Ozzola is currently presenting a solo exhibition titled ‘ALGO TUYO Y MÍO’ at the Centro Foundacion Unicaja de Almeria. The exhibition opened on 27 June and will show until 27 September 2019 in Almeria, Spain.
Ozzola solo show, titled ‘IF I HAD TO EXPLAIN, YOU WOULDN’T UNDERSTAND’, opened at the Fuson Foundation in Shanghai, China on 21 June 2019 and will show until 18 September 2019.
Ozzola recently presented his third solo show with the Gazelli Art House in London UK. Gallery.
Ozzola recently presented his solo exhibition Octillion at Galleria Continua in San Gimignano, Italy. The exhibition was compromised of small sculptures and previously unseen photograph and video works specifically created for the occasion and space. The exhibition ran from 26 January 2019 to 7 April 2019.
Ozzola also presented Mi Verdad with Su Tiempo Y Expacio- Algo Tuyo Y My, a solo exhibition at the The Unicaja Center of Culture (CUC), which ran until 9 July 2018. Ozzola recently exhibited at Galleria Continua in Italy, as part of the group show, 20X15, which closed on 16 March 2019.
[upcoming] Kronose e Kairos | Archaeological Park of Colosseum, The Palantine – Domus Aurea | Rome, Italy | 2019
Blouin Artinfo | “Octillion” by Giovanni Ozzola at Galleria Continua at San Gimignano | 30 January 2019
Claudia Giraud | Arttribune | 5 anni di Photofairs Shanghai. Public program esteso per la prima fiera di fotografia in Cina | 21 September 2018 – PDF
Elena Martinique | Widewalls | PHOTOFAIRS Shanghai 2018 – An Ambitious and Innovative Fifth Edition | 7 September 2018 – PDF